Blog
Have you heard their pronoun names?
Skeletor can never beat He-Man or She-Ra. If anyone’s genuinely startled that He-Man is he/him, boy howdy, let me double-startle ye and introduce ye to his sister, She-Ra. Not so important, really.
Pull, slowly. Discouraging authoritarians, opening the door
Exiting the long-term Groundhog Day trap. If you tend to move slowly, that might be OK. There is a role for you. A counterintuitive movement may open the door. Breathe. Hold. Pull.
Preparing for the bumpy journey: Bringing my tools into the time trap
It’s the day before Groundhog Day. What if we’re trapped inside a time that has been stolen, but we don’t need to move, because time will change around us? How do we thaw the ice?
If you’re told your position is harmful
Someone’s mad at your car. Did you almost run them over? I can pause and apologize. I care about others. I recognize that their perspectives are valid and their observations about my behavior might be correct.
I just want to select NO
The worst YES/NO interface design I’ve seen. We can create a nonviolent culture with the first questions we ask, being willing to hear an answer that’s polarized or ambivalent, loud or quiet.
Why someone complained about the review you posted to Goodreads
Their reason wasn’t as complicated as they made it sound. They say it’s too short. Or too long. What are they really complaining about? What don’t they like about your review?
If you don’t know if it’s a joke or a lie, what’s it called?
There is a word. When they issue statements halfway between jokes and lies, and they joke about it being a lie and lie about it being a joke, there’s a word for that.
Atheist-theist encounters
If you’re pretty sure there’s no god, when may you tell theists they’re wrong? Sometimes knowledge is best cultivated through personal encounters rather than intellectual demands. We see each other, and we’ll also know the world.
Moral analysis of what is ‘at stake in this story’
Naomi Kanakia on discussing novels. How to discuss a book itself and also let our learning transcend the book? To see the book as art, and to see it as a tool for our growth?