Unnamed feelings

For writers and artists, feelings play a big role in what motivates us to create, and they are also important for the characters we create. Many feelings are hard to spot and to name. Exploring them can yield rewards.

“Odd Emotions,” an article by Rebecca Webber (Psychology Today, Jan/Feb 2016), discusses the treasure trove of unnamed feelings. As the article explains, simply being aware of feelings gives us more insight into our perpetually changing inner lives, and naming them can help us feel that we are participating in a shared human experience and can empower us to respond appropriately.

One language or culture may have a name for a feeling that another language or culture does not. Feelings may be nameable in principle and, if they don’t have names, it may simply be that no one has named them yet or that the name is not yet widely known or translated. Webber gives the example of the Norwegian word vardogr that refers to “a premonitory sound or sight of a person before he or she arrives.” Finnish also has such a word, “but not English.”

Webber quotes Lisa Feldman Barrett, the author of How Emotions Are Made, as sharing her position that emotions are caused by the brain “categorizing sensations, making them meaningful so you know what they are and what you should do about them.” But emotions are not neatly divided even into primary types. From a brain science perspective, emotions are complex and overlapping.

 

How Emotions Are Made: The Secret Life of the Brain

 

Webber also refers to the work of writer and artist John Koenig whose long-term project The Dictionary of Obscure Sorrows is a portfolio of his invented names for feelings. It is a Tumblr blog, a YouTube, and a forthcoming book from Simon & Schuster. One person, reflecting on a work situation, remembered that “her stress was infinitesimally small in the context of all the time that had passed before she was born, and all that would go on long after her death.” For this feeling, Koenig coined the term “moriturism,” based on the Latin term memento mori (“remember to die”). Koenig has also come up with the name “exulansis” to describe “a sense of frustration when you realize that you are trying to talk about an important experience, but other people are unable to understand or relate to it, so you give up.”

Another woman quoted by Webber mentioned “a ‘deflated’ variation of schadenfreude, which she describes as when someone ‘finally comes around to your point of view or is served a very cold helping of karma, but sadly, you’ve matured past the point of really caring anymore.'”

Two women in white dresses with black sleeves are holding hands. The text of
Part of the original photo by Guzman, as laid out in the article “Odd Emotions” for Psychology Today.

Take a look at the article “Odd Emotions” and see what resonates with you. Is there a word for the special feeling of that resonation? What does it mean for your writing and art?

‘Painting Dragons’ on 99-cent Kindle promo!

Beginning this Saturday, 16 November 2019, at 4 a.m. Pacific time,

Painting Dragons

What Storytellers Need to Know About Writing Eunuch Villains

will be only 99 cents for Kindle!

Put the URL in your calendar so you don’t forget: https://amzn.to/2pU7lo1

The price goes up the longer you wait. For example, it will be $1.99 beginning Sunday morning at 8 a.m. Pacific, which is still a good deal, but you may as well move fast and get it Saturday! Thursday, 21 November is the final day of the discount.

Painting Dragons: What Storytellers Need to Know About Writing Eunuch Villains
Painting Dragons by Tucker Lieberman

‘Double vision’ in ‘Make Your Home Among Strangers’

In her novel Make Your Home Among Strangers, Jennine Capó Crucet presents a young woman protagonist who is developing a sense of self.

She perceives herself as relatively accomplished, as, while teen pregnancies seem to be the norm in her family and high school graduation is the bar to meet, she unexpectedly lands and accepts a spot at an elite private university. On the other hand, she feels that she has somehow betrayed her family by moving away (because they tell her so), and, because of her Cuban heritage, she is treated differently than the rest of the majority-white student body. Home and school are alternatingly appealing, but neither is perfectly safe, and neither is exactly what she wants.

It’s a choice between what feels most “authentic” despite knowing that all choices are engineered anyway, that outcomes are not predictable, and that everything has a price. It isn’t a resolvable problem, as those of us of a certain age have already found out.

The protagonist becomes increasingly self-conscious about how people perceive her. She can’t control what they see, in part because she hasn’t yet decided what image she wants to project or whether she should have to go to the effort of projecting an image at all. Near the book’s final pages, she introduces the term “double vision” for this: one part of her is living her life while another part is sitting aside, detached, evaluating and criticizing herself from a distance in anticipation of what others will say.

‘I Didn’t Break The Lamp’ is out!

My short story “Exit Interview” is included in the anthology I Didn’t Break The Lamp: Historical Accounts of Imaginary Acquaintances, published today by DefCon One. I hope you’ll buy a copy of the book, as it’s quite entertaining. I’m honored to be included among these 25 other talented authors.

Cover image of I Didn't Break The Lamp, ed. Dawn Vogel and Jeremy Zimmerman
I Didn’t Break The Lamp is available in print and eBook.

“Exit Interview” was a difficult story to write. It took years to develop in my imagination, and, although it never really happened, some of the details have roots in a nonfiction book I’ve been working on concurrently. It is deeply meaningful to me, and I’m glad to be able finally to share it.

I hope you will give this anthology a try. Who among us doesn’t need to call on an imaginary friend now and again? I’d love to hear your thoughts on the book. It’s available from Kindle and other retailers.

What you write

What you need to write for yourself.

What you ought to write for others.

What you enjoy writing.

What you enjoy having written.

What they tell you they want you to write.

What they secretly want you to write.

What they don’t know they want you to write.

What they will actually take the time to read.

What they will be better for having read.

What will catch their attention.

What will earn you a living.

What represents who you are.

What you realize you could have written.

What it takes for you to start with a blank page.