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Interview with Billie Kelpin: “All any of us wants is to be understood and to understand”

Billie Kelpin generously shares with me her thoughts on creativity and the writing process. Her website is – Tucker Lieberman

T.L.: How has being left-handed affected who you are?

billie_kelpinB.K.: I love this question because I truly think being left-handed in a right-handed world has given me a few insights and also a few challenges.

I always felt left-handed, much like any member of any minority feels his or her difference. It wasn’t until I started identifying more often as left-handed, talking more about being left-handed and noticing other left-handers that I felt part of a group that has a secret. I started to feel pride in how I adapt to the world once I realized I was adapting! I think one of the most significant comments to me was when my husband explained exactly why I always fumbled around opening a bottle of wine with a right-handed corkscrew in terms of physics. He explained that less torque is exerted on a corkscrew by a left-handed user. I bought a left-handed corkscrew from Lefty’s in San Francisco and have a lot of fun giving it to right-handed friends.

Realizing how much I adapt to the world, as do all left-handers, makes me feel proud in a way. It’s like the pride any of us has knowing secretly that we are meeting a challenge that others might not realize.

The biggest challenge in being left-handed, I feel, is to not feel awkward alongside right-handers. My favorite job ever was in an office where three of the five of us were left-handed! I was with my peeps!

How has your work in Deaf Education changed your understanding of language, art, and people?

I have almost a spiritual reverence for language because of my work in Deaf Education. The fact that we are connected culturally because of the language we speak and that our thinking is affected by language amazes me. I have the greatest admiration for people who are bi-lingual, tri-lingual, and beyond!

I find the teaching of English idioms fascinating and the ability to try to translate phrases like “take it for granted,” “off the record,” and a myriad of other phrases challenging and exciting.

In reference to art, I think that understanding the world visually and expressing that through the visual medium of sign language is a unique skill. An American Sign Language instructor I once had asked the hearing people in his class to describe sitting on a train and looking out the window. After watching all of us fumble awkwardly trying to relate the words of the scene into sign, he did one movement of his index finger representing telephone poles moving. A total visual representation of a complex sentence with one visual movement! Fascinating.

As for understanding of people, Deaf Education has taught me that all any of us wants is to be understood and to understand, no matter what form that takes.

How do you see the role of illustrations in children’s books?

lucky_the_left_pawed_puppyThe role of illustrations in children’s books is critical not only in picture books, but in chapter books as well. After I saw Julie Parker’s interpretation of “Short Stuff,” one of the dogs I wrote about in Lucky, the Left Pawed Puppy, I had a whole new idea for the story of that dog’s personality based on her illustration of him.

What finished project were you most satisfied with?

I think I was most satisfied with “The Perfect Husband App” that we are attempting to republish. It had over 8000 downloads without any advertising. I was satisfied that I had come up with a title that pulled people in. That simple app was an attempt to help couples to use phrases that seem to increase communication:

I’ll fix that, TODAY, Hon

I’m sorry.

You continue to fascinate me.

You’re amazing just the way you are.

You make me want to be a better person. 

I think the response to that app was the part that was most satisfying.

In “Shoes of 9/11,” you talk about attachment to symbols as a way of making meaning from chaos. What’s a symbol that speaks to you these days?

The answer that comes to mind is a book written in 1986 by Robert Fulghum, All I Really Needed to Learn, I Learned in Kindergarten. The kindergarten rules are to be kind, respectful, and share. No bullying is allowed in kindergarten. Kindergarten is a place for exploring science and nature. It’s a place where we’re taught respect for each other no matter where we’re from. We help the new kid or the kid who’s in trouble. We are taught respect for our environment. It’s a place where making money has no meaning. So all in all, the symbol that speaks to me these days is the kindergarten classroom.

Is there crossover in your work aimed at kids and your work aimed at adults, or do you keep those separate?

polly_and_measuring_stickThere is a crossover in a story I wrote years ago, Polly and the Measuring Stick. That story started off as a children’s story, but now I think it would be considered an allegory for all ages. It speaks to the problem we all encounter when we compare ourselves with others. It has an important message for all ages. The thread running through all my work seems to be psychological — stories that explore who we are, how we got that way, and what to do with that information once we have it! This whole thing called life seems to me too important to not try to figure out.

How do you connect with other writers?

I am a member of Orange County Writers in California. I would encourage writers to keep searching until you find the group that is perfect for you. If you’re in a rural area, start your own writing group. Our OC Writers has an online calendar of events that any group could use as a helpful model.

What do you like to read?

I am one of the very few writers who is not an avid reader! Perhaps that’s why I struggle so much with writing a novel. I do a great deal of subvocalizing when I read which means I hear every word in my head and can only read as fast as I talk.

I’d like others like me to know that it is possible to be a writer if you’re not that enthusiastic of a reader. When I do read, I like to read essays on philosophy, politics or psychology. The dialog I use in short stories and novels is dialog I pick up from listening to speech more than I do from reading. I think that actually can be a very positive trait. The precise storytelling part is the hardest to pick up if you’re not an avid fiction reader.

What reaction do you hope people will have to your work? What do you hope they’ll take away?

Crying is always a good reaction! Laughing would make me happy as well! Seriously, I’d like it if my writing evokes some emotion or provides an insight that makes the reader’s own path in life more meaningful, perhaps more fun, or just plain easier in some way. Words are like gold to me. Authors who have put words together in that special way that reaches a soul have gotten me through the hardest of times and provided joy in the best of times. I’d love to be able to write one sentence that would do that for someone.


Novelist of matters surreal and magical. Studied philosophy and journalism. Worked in technology and finance. Knows about UX design and life coaching. Helps people write their books. Ask. Don't be shy. Author of TEN PAST NOON, BAD FIRE, PAINTING DRAGONS, and ENKIDU IS DEAD AND NOT DEAD.

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